Arguments For and Against Online Music Sharing

Arguments For and Against Online Music sharingIn this report, I am going to schema the arguments for and against the unauthorized sharing of medicinal drug on the internet.I go forthing outline the strengths and weaknesses of unauthorised sharing of music on the internet, using evidence which I depart discuss and summarise.As music has begun to circulate in various material spend a pennys, it has suffer more of a commodity, as it has become more transportable. A large part of this is the use of the internet to sh ar and download music in the stage of files.The instruction market surface regime, a theory evolved by Weick (1995), suggests that a market information regime conveys the impression that the information gathered by the music assiduity is valid and very important, and that its availability raises demand for its use in interpreting the market. I will touch on this point further in this report.I will also touch on several resources, both textbook and internet based , which outline theories, practices and articles in relation to the evolution, distribution and contestation of sharing music online.Advantages of Sharing MusicAlthough there are few advantages of sharing music online, Caves (2001, p.6) suggests that due to the infinite variety of the nature of the creative industries, the multidimensional quality of cultural products makes it embarrassing to predict what audiences will like. Its multidimensional nature means that it is valued in a variety of ways by listeners across different places and is modified by musicians in new ways. This means that although unauthorised music sharing can make it difficult to log and track patterns in the market and predict what audiences will like, it does not hinder this process as it is already difficult to measure the market and its demands.Although there are difficulties in predicting cultural taste, pre-testing whitethorn be used. In terms of the music market, pre-testing is a form of research carrie d out before production is complete and major resources have been committed (Banks, Barnett and Mahendran, 2012). With music pre-testing, a unity song from an album may be divided up with a select audience to review and give feedback. This means that the song may be overlap across a wider audience by unauthorised means, however, as no major resources have been committed, the musicians do not lose profit and their reputation may grow because of the song being shared. By having a wide range, the chances are that the albums produced will become hits, meaning that these will more than coer the costs broken by unauthorised music sharing.Despite internet based forms of distribution meaning that music becomes shared illegally, it also means that the information regime is modify as music companies can gain more direct knowledge of the market through their own download websites and websites that allow music audiences to post information nearly music tastes, such as what they like and d islike (Walsh and Mitchell, 2010).The article create verbally by Miller (2012) says that lots of people seemingly dont have any(prenominal) problem with downloading pirated music. In fact, 70% of online users say they find nothing wrong with online piracy, and 63% of users admit to doing some illegal downloading. So, while music piracy may be illegal, its favorablely accepted. This suggests that although piracy is illegal, it has become more companionablely acceptable, despite the risks of websites being closed and frequent users veneer bans.Disadvantages of Sharing MusicThere are many disadvantages of the unauthorised sharing of music on the internet. As music has begun to circulate in various material forms, it has become more of a commodity, and then has become more portable. A large part of this is the use of the internet to share and download music in the form of files. However, music is being shared by unauthorised internet users and websites which can have detrimental co nsequences.For example, it is difficult to measure market trends in the creative effort, which means that recorded music turns over quickly and must be measured by trends in existing sales by logging both physical and virtual sales. These markets are characterised by uncertainty, meaning that commercial activity is shaped by the need to predict and manage this uncertain demand. This can be tricky if music is being shared in an unauthorised way as it means that the music trends recorded will not be accurate so may hinder tangible music sales. Baharat and Peterson (2000) suggest that the information generated by this market research reflects existing tastes and helps to construct the market.The information market regime, a theory evolved by Weick (1995), suggests that a market information regime conveys the impression that the information is valid and very important, and that its accessibility creates demand for its use in understanding the market. However, this suggests that infor mation regimes typically take the form of sales reports, and hot selling items, which makes this predict and provide method invalid due to music being shared in an unauthorised way online, as it means all sales are not recorded, thus meaning the figures are inaccurate.As we can see in the article write by BBC Blogs, Waters (2009) suggests that sharing music illegally online causes significant damage and means that artists from different backgrounds are not being paid for their professional work, saying that up to 800,000 jobs in the creative industry may be threatened almost half of the entire industry. However, the government is being advised to force internet providers to place a ban on frequent file sharers, meaning more of a consequence may be put in place.The article written by Ernestro (2015) agrees with Waters (2009) as it suggests that a strategy has been put in place to curb online piracy by sending warnings to frequent file sharers and supposed pirates. This warning pro gramme is part of the Creative Content UK (CCUK) initiative which is hosting a series of educational campaigns, called devil it right from a Genuine turn up, encouraging people, curiously young people and students, to steer clear of pirate sites and to use authorised, approved services instead, thus meaning that copyright holders and industry employees are not facing the detrimental effects that illegal file sharing causes. The initiative intends to measure the consumption of legal and illegal consumption of content in order to create and use statistics as a way of deterring piracy.The article written by PRS for music (2015) provides more depth into the aims and views of the Get it Right from a Genuine Site campaign, especially as it suggests that the 1.7 million employees of the creative industries may be at risk of job loss due to unauthorised file sharing. It is vital that they are protected from both transgression and copyright so that more can be invested into creating new c ontent for fans to appreciate. Whilst the article largely outlines the disadvantages of piracy, it could be advantageous as its encouraging people to make the right choice rather than issuing sanctions.ConclusionTo conclude, the disadvantages of unauthorised file sharing massively outweigh the advantages. Whilst it is advantageous in terms of testing the market for trends and demand, unauthorised file sharing can have some detrimental effects on the creative industries.The educational campaign, Get it right from a Genuine Site, is clearly seeking to reduce piracy and creative industry employees losing both money and their jobs, by aiming to educate the public about unauthorised file sharing to encourage them to use licensed services to share and download music. The campaign has been using a promotional hashtag on social media sites to attempt to spread their message. It may be worth further considering the CCUK campaign and their resources when organising your week of debate and rai sing awareness around internet use.The article written by PRS for music (2015) mostly outlines the disadvantages of unauthorised sharing of music on the internet. Neville-Rolfe, the Minister for Intellectual Property, suggests that the campaign is helping to improve the UKs economy and culture, simply by encouraging people to download from genuine sites. This can then help to ensure that by protecting and promoting the future of entertainment that it can help the industry to grow and expand as opposed to shrinking and losing money because of job losses and infringement.Overall, it is clear to see that there are many disadvantages of unauthorised music sharing, which heavily outweigh any positives there may be. I hope you have found this report useful in outlining the advantages and disadvantages of sharing music online, and that it will be beneficial in creating a week of debate on this topic around good practice and safe internet use.ReferencesAdorno, T. (1945) A social critique of radio music, Kenyon Review, vol. 7, no. 2, pp. 208-17.Anand, B.N. and Peterson, R. 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